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OTHER PRESS Profile in Ithaca Times, September 19, 2007, by Aaron Tate Cultural Constructions VI: Hands and Mallets Institute of Contemporary Art, Boston, MA, October 2005 "Feeney's solo improvisation gave a glimpse into a mad scientist's lab, as he produced an array of startlingly resonant sounds from his odds and ends and homemade gadgets." Kevin Lowenthal, Boston Globe National Insecurity, Killian Hall, MIT, November 2005
"On the other hand, Globokar's ?Corporel, performed by Tim Feeney, was by far the most visceral and direct statement on the program and was decisive in making this concert feel like a potent statement of protest....Here was a complete uniting of percussive technique, the body, music, and the message....Feeney held nothing back. To execute this piece, I can only imagine he reached out and "channeled" something (the victims' experience?) via who knows what means - method acting, compared to the stylized emotions of other works. The effect was that of a true homage." |
