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                            LISTEN
       
        In Six Parts
samples:
       
                one (5:40, 6.5 MB)

                two (6:44, 7.7 MB)

        Live, John Slade Ely House, 2.24.05          

                three (6:43, 7.7 MB)


WATCH
       
        Live, OpenSound, 1.19.07                          
       
                coming soon


READ
       

        Selected press quotes:

            Tim Feeney

            Cultural Constructions VI: Hands and Mallets, Institute of Contemporary Art, Boston, 10.2005
            "Feeney's solo improvisation gave a glimpse into a mad scientist's lab, as he produced an array
            of startlingly resonant sounds from his odds and ends and homemade gadgets."
                                                                                                    - Kevin Lowenthal, Boston Globe

            Road Signs, Tom Djll/Jack Wright/Bhob Rainey/Tim Feeney, Soul on Rice SP04, 2006
            "...on Road Signs that kitten's clawed its way out of the box and grown up into a tough, street-
            fighting tomcat.  This is combative stuff, both for the musicians - a muscular and not always polite
            exchange of strong ideas - and for the listener: if you're looking for easy listening you've come
            to the wrong place."
                                                                                                    - Dan Warburton, Paris Transatlantic

            Vic Rawlings

            Fall of Song,
Vic Rawlings and Mike Bullock, Chloe 003, 2003
            "[Rawlings and Bullock] trade miniature feedback spikes and various scrapings, bangings and
            silences so deep and wide you could steer a submarine through them.  Rawlings employs
            feedback circuitry and a lab assistant's attention to detail."
                                                                                                    - Keith Moline, The Wire

           
NRA (Nakatani, Rawlings, Arias), recorded live at free103point9, Brooklyn, NY, 6.2004
            "It's probably the most puzzling electro-acoustic improvisation I've ever heard, neither
            lowercase subtlety nor dense noise, but rather a complete avoidance of any common
            approach to improvisation...it's a rare and profound treat to be able to interact with sound
            and never be given answers about its meaning to eventually become disillusitoned by. A minor
            miracle."
                                                                                                    - Michael Anton Parker, Downtown Music Gallery

       
download print press materials (biographies, performance history, press quotes) as zipped pdf, 145K